For the term paper, watch one of the following films
and follow the protagonist listed with the movie*.
These movies are available
through Blockbuster, Hollywood Video, and most large video rental
stores. If you cannot find what you want to rent at these stores,
you can buy a copy from Fry's or Amazon.com.
Write a four to six page (typed, double spaced) essay about the
protagonist anchoring your observations on concepts and theories that you have learned in this
class to answer the following four questions:
(1) What do you see as the person’s self concept? (What does the
protagonist's behavior and words say about the question, "Who am
I?"). Is there a difference between what you perceive is
the protagonist’s self concept and who you think the person really
is? Explore self concept and identity has defined for this
class. Don't write a personality profile! Explain how you think his/her self concept developed and what
factors have impacted it. Apply theory or research in answering this
question.. For example, Action Identification Theory proposes that
any act can be interpreted in a number of different ways and what that act
represents to the individual reflects on their identity/self
concept. (If you use this, give specific examples.) Schlenker's Self Presentation model states that a person
consciously or nonconsciously attempts to control identity-relevant images
before others. In other words, a person behaves with others in a
manner that reflects on her or his self image (or what (s)he wants others
to believe he's like which maybe very different from that person's actual
self concept).. Be specific about
what image(s) the protagonist is presenting and what it reveals. Gopnik's Theory
Theory proposes that a person growing up develops theories about
themselves. Gopnik says that a person not only behaves in ways
consistent with those theories but interpret their behavior in ways that
are consistent with them. What are these self theories? (You can speculate on the person' growing
up influenced the formation of these theories.) Carl Rogers proposed
that the person's self concept is not always an accurate reflection of the
person. You can use Rogers' ideas about how the self concept forms (and
how incongruency develops) to account for the development of the self
concept. Again, illustrate your points. These are just some examples of theory/research you can
use. There are many other concepts that were presented in the
course. Use what works for you but make sure the various theories
and interpretations you discuss work together.
(2) Explore the major choices he or she makes in the film. What do these
say about the person's identity, sense of self and possible esteem issues. What factor(s)
that influence a person's self concept/identity do you see as active
here? For example, Karen Horney would propose that a Victorian woman
who does all that she can to find a husband has a view of herself as a
female as having limited opportunities in her society to support herself
and needs a man to provide for safety, security, and freedom from fear and
threats. William James proposed that the constituents of the
self promote positive or negative feelings and behavior; A person whose
material possession are humble or inferior would feel dissatisfied and (s)he
would engage in behavior to better their lot. Schneider and Turkat's
research suggest the difference between "genuine" and "defensive" high self
esteem. Those with the latter "harbor inner negative self feelings
that they are unwilling to admit" that are nonetheless manifested in choices
revealing a fear of failure and desire to look good. Carl Rogers took a
different position: A person's choices are a reflection of how she or
he perceive themself to be. In terms of self esteem, a protagonist can
engage in some form of self enhancement behavior that may underpin a major
choice. (Again, these are just
examples of what you can use.)
(3) Given his or her self concept, explore the relationships with other
key characters, especially the antagonist. This is the person who gets in the way of the protagonist realizing whatever it is (s)he is
trying to do. (The antagonist cannot be the protagonist no matter how much
the person may hold him or herself back; the antagonist is always another
person.). Does the person's identity shift or differ when (s)he
is interacting with different individuals and groups? If so, how do you
account for differences you notice? George Herbert Mead (and in a
different way William James) would explain any differences observed as
reflecting the "multiple-me." John Turner would address
one's group identity (ingroup, outgroup) to explain relationships and some
of the differences observed. Erving Goffman had a different point,
viewing people as actors and living out roles.
(4) What does the outcome (ending) says about the person’s sense of
self?
Can you identify any changes that may have been realized in his or her
identity or self concept? What factors, process, or psychological
mechanism do you think accounts for these changes? Examples: Carl
Roger might propose that because of the affirming nature of a significant
relationship, the person's self concept has become increasingly congruent
with their self experiences and thus the changes you see at the end of the
film reflect on this. Festinger might suggest that cognitive
dissonance developed because things the protagonist did were inconsistent
with his/her self concept and (s)he had to change their self concept (or
change their behavior or the way they viewed past actions) to achieve
consonance. Mead proposed that the "I" is not only the immediate response of the individual to
others but is incalculable, unpredictable, and creative aspect of the self
that allows for change. Remember, Mead was writing as a behaviorist
and if you explore the issue of the "I" to answer this question,
you need to speculate about the environmental factors that would have
contributed to the change in the person's self as well as that which
reveal the creative aspect of the self.
As you can see you need to use specific theories and or research to support your answers.
Use any that were discussed in the lectures and/or reading materials and
are relevant to you to support your answer. As you do, integrate the material so that it fits together.
Just don't take all the examples I give here or pull everything you can
think of to pad your paper. Your term paper will lack focus if you
do. Instead, select theories and research that hangs together and works for
you. If you use any
of the examples I've provided here, you need to develop their application
specific to the protagonist with good examples from the movie to
illustrate your point.
To make the paper easier for you to write (and clearer for me to read and
grade), answer each question separately and start your answers by
identifying the question you are answering. Here is a
sample A paper that I encourage you to review to get an idea of what you need to do
both in terms and style and content.
SAMPLE
PAPER
Finally, do not write a plot summary of the film: I know these films----believe me,
I know these films----, so I don’t need to be told the story. Instead you
can describe certain instants (i.e., scenes) and the protagonist’s
behavior, words, or reactions in the movie to illustrate your points.
Movie
Smoke Signals
The Mighty
Down In The Delta
Maria Full of Grace5
The City of God3
Capote
Girl With A Pearl Earring
Doubt
Shall We Dance?2
Mansfield Park
The Secret Life Of Bees
Rabbit Proof Fence
Dirty Pretty Things
The Emperor's New Clothes
Miss Potter
Station Agent
Atonement
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Protagonist
Victor
Max
Loretta
Maria5
Buscapé "Rocket"3
Truman Capote
Griet
Sister Aloysius Beauvier
Sugiyamas2
Fanny
Lily
Molly
Okwe
Napoleon Bonaparte
Beatrix Potter
Fin McBridge
Briony |
*Even if you have seen the movie before,
it is recommended that watch it again because your memory may
reflect a different mind set when first viewing.
2. Japanese with English Subtitles
3. Brazilian Portuguese with English Subtitles
4. Italian with English Subtitles
5. Spanish with English Subtitles
Each quarter, films are added and dropped from this list. DO NOT
MAKE THE MISTAKE OF VIEWING A FILM THAT WAS ON A PREVIOUS
QUARTER'S LIST!
This list contains a variety of
movies. For the most part, they are "art house"
films and watching them is not like watching HELLBOY or DUMB AND DUMBERER.
In picking a film for the paper, be sure to select something you
will enjoy. There is something here for almost every
taste. (Okay, if your favorite movie of all times is CHARLIE'S
ANGELS: FULL THROTTLE, you might have a problem picking a film
that you will enjoy. But, then again, you might be
surprised to find that these little films can not only be thought
provoking but an enjoyable viewing experience.)
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